![]() ![]() Not to mention how grating Percy’s Deadpool is. There are still some fun set pieces (one gag has Logan continuously chopping Wade’s body and using it in inventive ways - that was fun) but by and large, Percy and Kubert feel like they’re on different pages throughout the arc here. It’s likely the weak script filling the art, but it made the whole thing feel off. I can see what he was going for with layouts early in each issue, but they just didn’t land well with me. Unfortunately, he didn’t bring it the same way this volume as he has in the past. ![]() He is the soul of this book, even if it still worked with fill-in artists. Kubert simply knows how to draw Logan in the coolest way possible, and keeps the layouts as interesting as anything else running. The comic was largely good because it was basic in a way that was easy to read, and mixed things up just enough to feel fresh while also having some of the best art on the stands.Īdam Kubert and Frank Martin’s work together on this book is some of the best art in Marvel comics recently. None of it was particularly new, the series wasn’t consistently interacting with Krakoa in any unique way, and it was already getting repetitive before XLOW/XDOW. ![]() In a lot of ways, Wolverine was never a book that relied heavily on Percy’s writing. ![]()
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